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He and his gang find “blood bags”, live humans whom they use in a fashion similar to those large batteries you carry around to refresh your cell phone. Max’s time for dwelling on the past is quickly eliminated though, after he is captured by Immortan Joe (Hugh Keays-Byrne), a mad man who rules over a desperate society of starving, thirsting beings who beg for a splash of water from their benevolent leader.īecause Immortan Joe’s dominion is a terrain devoid of virtually all plant and animal matter, the geography has necessitated a creative approach to finding nutrition for himself and his army of “war boys”. He beats himself up for not protecting them, a reminder we see throughout the story in brief flashbacks of their terrified faces. In this destroyed world, Max (Tom Hardy) is a man on his own, haunted by the loss of his wife and daughter. Sex and violence concerns scale up from there, making parental judgment calls more difficult. Amidst the noise, only one profanity-the usual sexual expletive-is barely heard. Surprisingly this film (rated R in the US) is lighter than expected in some content areas. If your teens aren’t yet considering this movie, there’s a good chance they will be when the weekend opening buzz hits a crescendo. Unlike so many recent comic book based movies, Miller is able to string together scene after scene of action/racing/beating/shooting while still remembering to give us reason to care about his heroes, who are given precious little time to talk things over. (I don’t usually like 3D either.) Director George Miller, who helmed the original Mad Max back in 1979, has a short but strangely eclectic mix of credits that range from a trio of Max films to the heartfelt Lorenzo’s Oil and the 2009 animated kid-romp Happy Feet, has managed to resurrect his creation 30-some-odd years later. Yet, for many reasons, this 3D spectacle kept me riveted for two hours. I don’t really appreciate bloody violence and I typically enjoy a few minutes of quiet dialogue that allows me to get to know the characters.
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#MAD MAX FURY ROAD SILVER SPRAY MOVIE#
A thundering soundtrack and stylized visuals embed the movie deep into your memory and will likely land this production in Oscar territory for technical awards.įrankly, Mad Max: Fury Road isn’t a movie I would yearn to see. It is wall-to-wall action, with insane characters driving mutated vehicles over a deserted post-apocalyptic landscape. Mad Max: Fury Road may show up in film studies textbooks over the next decade as a near-perfect illustration of this genre. If the term “pulp fiction” is familiar to you (and I’m not talking about the movie with that title), you will instantly understand what to expect. This is one of those rare occasions where I’m going to begin with all the reasons this movie left me far more impressed when I came out of the theater than when I was on my way in-and none of them have anything to do with why or why not you should let your kids see Mad Max: Fury Road.